Genesis - Musical Box - Аккорды, табы, тексты

		Musical Box

!		Hi All. I've picked up a few gems here and there over
!		the last couple of months so I guess it's time to start
!		contributing as well. Much thanks to the genius who posted
!		Pleiades by King's X!
!		Anyway, what we have here is essentially the intro to
!		The Musical Box by Genesis as it is performed on Genesis Live.
!		I've also managed to pick out to first couple of arpeggios
!		that immediately follow. Obviously, this is by no means complete!
!		If anyone out there has more, or wants to make corrections, feel
!		free! I'd like this to be a group effort, if at all possible.
!		Key of <F#min> (I think, I suck with theory)
!		Intro
>		F#                   C#sus4     F#                  C#sus4
		[---6--------6--7--6---4---4-----6--7--6----6--6--6---4---------
		---7--------7--7--7---7---7-----7--7--7----7--7--7---7---------
		---6--------6--6--6---6---6-----6--6--6----6--6--6---6---------
		---4--------4--4--4---6---6-----4--4--4----4--4--4---6---------
		---4--------4--4--4---4---4-----4--4--4----4--4--4---4---------
		---------------------------------------------------------------]
!		I'm not convinced that the <C#sus4> is right, but there are two
!		guitars going here, and it's tough to get the voicing exactly
!		right.
		        From here...
!		GTR I
		Play me Old King Cole....
>		  Bm                             F#
		[-----2-------2-------2-------2-------2-------2-------2-------2---
		---3---3---3---3---3---3---3---3---2---2---2---2---2---2---2---2-
		-4-------4-------4-------4-------3-------3-------3-------3-------
		-----------------------------------------------------------------
		-----------------------------------------------------------------
		-----------------------------------------------------------------]
		                       >snip here<
!		And that's it for now! Sorry! I'm pretty sure the next
!		chord stays <F#> but with a different arpeggio. By the way, before
!		I get flamed for posting such a tiny chunk of such a great song,
!		let me just add that I have figured out more of the song, but I
!		don't want to just throw in all the different bits until I get
!		the bits in between.
!		Don't forget, the live version has three guitars going
!		at once, so this is going to be real ugly when I finish it.
!		More Guitar, less Thesis!

-

!		Here's the way I've figured out the closing section to "the Musical Box"
!		by Genesis. This is the bit they segue into from "The Lamb Lies Down
!		on Broadway" when they play live (Check out Seconds Out to see what
!		I mean)
!		Here are the major patterns for the first bit (the "she's a lady" part)
!		all below are 2 beats each...
!		 <F#> pattern    <D#m> pattern   <C#> pattern   <E> pattern
		[e----9-7-9--------6-4-6--------4-2-4----------0--------------------------
		B---7-7-7-7------4-4-4-4------2-2-2-2--------0-0-------------------------
		G-------------------------------------------1---1------------------------
		D------------------------------------------2-----2-----------------------
		A--9------------6------------4------------2-------2----------------------
		E------------------------------------------------------------------------]
!		Below is 8 beats (2 measures)
!		 <F#> pattern 2
		[e------------------------------------------------------------------------
		B----2---2---2---0----2---2---2------------------------------------------
		G-----3---3---3---1----3---3---3-----------------------------------------
		D------4---4---4---2----4---4---4----------------------------------------
		A------------------------------------------------------------------------
		E---2---2---2---0----2---2---2---2---------------------------------------]
!		Putting it together:
!		(the chord name is the pattern name here. each "/" is 1 beat)
>		|F# /  F#  / |F# / F# / |D#m /      D#m    /        |D#m  /  D#m  /|
		                             She's a lady, she's got time        Oh
		                             She's a lady, she is mine           Oh
>		C#       /         C#   /    |E    /    E    /       |F# no. 2 :||
		   Brush back your hair, and let me get to know your face
		   Brush back your hair, and let me get to know your flesh.
		Now Tony comes in on the organ.
		                                     |-|
!		Organ:  <|F#  B  C#  F# |/. B     C# F# C#|   D#m. A#m D#m. A#m |>
		                                    I've been waiting here for so long
		You stand there with your fixed expression casting doubt on all I have to say
>		|C#  G#m  B  /          |F#.  E  F#          E F#| E. F#  E  F# E |
		            and all this time has passed me by            It hardly seems to
		           why don't you touch me, touch me why don't you touch me, touch me
		                               ____________
		                               |1.
>		         |B.   E  F#  E  B  E  |F# / / / :||
		          matter now
		touch me now now now now now
		________________
		|2.
>		||: F# .  E  F# E B E |B .  E F# E B E F# :|| } repeat this a few times
		                       now now now now now
		ending
>		|B / / / |C# / / / |F# / / / | B / / / |C# / / / | F# / / B C# |F#
!		The rapidly alternating part flips between an <F#> and a <C#>, and
!		finally ends on <F#>
!		Sorry there's no solo here, but I haven't quite figured it out yet.